Left: Riverbank; Right: Thompson River. Both oil on canvas, 51 x 40.5 cm (20 x 16 inches), 2009 ... playing with the remembered colours and shapes of the dry Thompson River canyon near Spences Bridge, and the way the distant light drops to blue ... |
Westcoast Confection, 46 x 92 cm. (18 x 36 inches), oil on canvas, 2009 This is a confection, as in something made up, because I had watercolour image in an old sketchbook of a rocky outcropping near Sechelt, but as I repainted it I added an arbutus tree, colourful rocks, picturesque bays, looming cedars, mist spilling down a distant hillside, and raking evening sunlight. Waving kayakers, romping otters, basking seals, a spirit bear and a distant clearcut were considered but rejected so far. |
Cafe
& Gas Station Oil on board 46 x 27.5 cm 18 x 11 inches 2009 This is a reworking of an earlier image of the Kettle River near Rock Creek. I realize that when I paint in oils it's the colours, not the forms, that have all the emotional pull for me – in other words, more experimental or arbitrary colour schemes just tend to leave me cold. With this palette, I see those shadows on that grass colour and I'm right back there on a warm summer day.... |
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Arbutus
Island 2009 Oil on board 37.5 x 27 cm 14 3/4 x 10 3/4 inches Donated to the Savary Island Land Trust auction, August '09 |
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Boundary
Ranch 2009 Oil on board 37.5 x 27 cm 14 3/4 x 10 3/4 inches |
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Gulf
Islands
farm 2009 Oil on board 37.5 x 27 cm 14 3/4 x 10 3/4 inches |
Chinatown
Edge 2006 Oil on linen |
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Fog
Hill Market 2006 Oil on canvas |
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Store
on Fir Street 2006 Oil on canvas |
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Store
on Fir Street 2 2006 Oil on canvas |
Written/painted
before 2006: The paintings below, all oils, grew out of
my experience with the book Vanishing
British Columbia and my desire to create a series of
iconic, somewhat-abstracted-yet-more-or-less-representational
landscapes of the different regions of the province. It's an
ongoing project, even though some of the pictures were
exhibited in a touring show that went to Grand Forks, Qualicum
Beach, Salmon Arm and Wells in 2006 and 2007. At some point I will try to write out a real "artist's statement." The grand Emily Carr landscapes from the 1930s of west-coast forests do for them what I would like to do for the rest of the province. I'm happy with the body of work I created in Vanishing British Columbia, all small watercolours that capture colour and light in the province's diverse regions, but I want to go an extra step toward something less site-specific and pictorial/painterly. And bigger. I just can't think of the work of any artist or artists that have done for the province what Emily Carr did for the north coast. I saw Tak Tanabe's prairie landscapes at the Vancouver Art Gallery in 2006 and thought they came close to the kind of thing I want to do in BC, although his more recent west-coast pieces are too painterly, too pictorial and representational, at least for me. And, as witnessed by "Flattened Buildings at 4th and Bayswater," I can't resist the siren call of an impending demolition. Anyway, I'd love to hear from anyone who can recommend artwork/websites that show me the paths others have taken, or to argue with anyone about the validity of it. |
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