Ironically, it was moving to Australia that focused my desire to complete a set of images and write some impressions of the splendid Thompson and Fraser river canyons of British Columbia. In recent years in drought-dusty Australia, rivers have dwindled to creeks and creeks are little more than interconnected sets of puddles in the months between rainstorm-fed deluges. Is Australia a harbinger of climate change, a premonition of future landscapes elsewhere?

If I were to be homesick for anything from my Canadian travels, it would be the rivers that bind British Columbia's diverse regions to tidewater. I especially reflect on the bright, crisp, translucent colours of the arid Thompson River valley. A wide, constant river, a cobalt sidewinder slithering across a sage grey stage -- sunshine -- water water always, even in the middle of a desert. How can I describe the elation I always feel when I go there? -- like breathing pure oxygen after the gloomy greens and heavier air of the Fraser Canyon and Fraser Valley nearer the coast. 

Perhaps it's this transition I find so stimulating, between the parched sagebrush and the wealth of clean blue water flowing so close by. There's often not even an edge of sandbar willows and cottonwoods: the river races past clay slopes dotted with a garrigue of aromatic, blue-grey shrubs and scattered clumps of bunchgrass -- a Mediterranean landscape beside a river instead of a sea.

People live where they have to and travel where they want to. Although I have been travelling the Fraser-Thompson corridor for a half-century, I have never lived there, and perhaps if I had I would have tired even of the Thompson's dramatic landscape. Instead, over the past 15 years I've been a travelling observer, recording human landmarks in projects/books like British Columbia in Watercolour and Vanishing British Columbia. Now I find myself painting an almost unpeopled, unmarked landscape, the empty "great lone land" -- I suppose in the spirit of the Group of Seven, Canada's most venerable artistic tradition.

Of course there are still people there: in "white" villages like Ashcroft (population 1,664 in 2006, down from 1,914 in the previous 20 years), Spences Bridge and Lytton (from 368 to 235) and in the scattered communities of the Nlaka'pamux people where the population is actually growing significantly. Due to the last, the census district including the Thompson valley where I painted gained 3.4% population from 2001-6. But "Fraser Valley A," the census district that includes the Fraser Canyon and the villages of Yale, North Bend and Boston Bar, lost 19.8% of its population from 2001-2006. To a traveller there are few human marks remaining on the landscape, only some mobile homes, rusted cars and a few spots where abandoned orchards and non-native trees struggle to stay alive without irrigation. Is this an environmentalist's ultimate dream, that everything return to a natural state? All the human marks appear temporary, except of course for the railways.

Western Canada, both historic and modern, is about trains conquering distance and triumphing over forbidding mountains. The corridor of the Thompson and Fraser rivers was the only practical way to reach the Pacific Ocean, as the CPR demonstrated a century ago with its money-losing Coquihalla section of the Kettle Valley Railway. The Canadian Pacific went through first, on the south/east bank of the Thompson, in the early 1880s. Then came the Canadian Northern Pacific, now CN, running on the other side and driving its last spike at Basque in 1915. It was an easy run for both railways to Spences Bridge; then, the CN paid the price for having arrived second, needing an extraordinary set of tunnels and sheds to locate its line on the steep, landslide-washed canyon face. Down the Fraser River the situation is similar; the CPR crossed the Fraser at Cisco to the more open western side, creating a divisional point at North Bend. The CN had to cross the Fraser twice, first at Lytton where the Thompson meets the Fraser, then back at Cisco. Only recently, just a few years ago, CP and CN forged an agreement to share their lines, with all eastbound trains using the CP side and westbound ones using CN's.

Is there a rain shadow anywhere else like the one on the Thompson River side of the coastal range, inland from the west-facing slopes of the Fraser Canyon? Only ten inches of precipitation a year fall in Aschcroft versus untold feet of snow not a hundred miles west on the upslope of the coast mountains. Yet the river running through the desert is so prodigious -- 90,000 cubic feet of green-brown water pass the Spences Bridge gauge each second during springtime snowmelt! The arid part of the long Thompson River begins near the eastern end of the coastal rain shadow around Kamloops Lake and continues to its end at Lytton. Further east nearer its source, where the river drains Shuswap Lake and the mountainous watershed of the Yellowhead, the land is much wetter, more like the coastal slopes: cedars and thick forests, an almost impenetrable underbrush. And, the Thompson and Fraser are major salmon rivers; sockeye use the corridor to reach the South Thompson and the famous spawning grounds at Adams Lake.

The stretch of the Fraser River from Lytton to Yale has an almost mythic status in western history. Effectively unnavigable, the canyon was laced with narrow trails and suspended cobweb catwalks used by Aboriginal traders and fishers until the gold rushes of the 1850s prompted the colonial government to build the Cariboo Road. Twenty-five years later, in the 1880s, the CPR pushed its rail line through, destroying much of the road in the process. Forty years later, in the 1920s, the provincial government rebuilt the road and the crucial bridge at Spuzzum, opening the Interior to automobile traffic and creating an essential section of the nascent Trans Canada Highway.

From Hope to the coast, the Fraser River created a wide, fertile plain, BC's agricultural breadbasket and an industrial waterway for logging, fishing and other industry. More like a mini-Mississippi than the wild river it was upstream, it hardly seems like BC at all -- in the same way that the Lower Mainland, recently rebranded as Metro Vancouver, is a far cry from the landscapes and climate of the Interior.
 

Artwork and text ©Michael Kluckner, 2008

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