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Toshiko

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Michael Kluckner



132 pages, black and white, 7 5/8 x 10 3/4 inches, soft cover
Published in English by Midtown Press, Vancouver, and in French by Presses de Bras d'Apic, Montréal
Suggested retail: $19.95 (English), $24.95 (French)

Available from all bookstores (real ones and on-line, too, although amazon.ca only carries the French version), plus the Comic Shop on 4th Avenue in Vancouver.

Set in 1944, starting in the Interior of British Columbia and ending in Vancouver, this is a Romeo & Juliet story with 'Juliet' (that is, Toshiko) a Japanese Canadian.

Toshiko has her own Facebook page. This is the up-to-date source for events, etc.

A Q&A about the book with McGill University students.

Reviews and media about Toshiko

Click below to download a 4-page Teachers' Guide


Et cliquez au dessous pour la version française




Below
: a typical page spread...


Below, a few key panels to show how the story gets going ...


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... and it continues from there.

On the surface, the story appears to be about race, but the plot actually turns more on matters of social class and individual morality and behaviour in what was a very different era. The other theme is "wartime" – how the extraordinary circumstances of the Second World War turned even little British Columbia, far from the fray, on its head.

The non-fiction inspiration for this story comes, of course, from the experience of Japanese Canadians in BC during the Second World War. Pages on this website that can provide background are the main one on the internment, plus its linked pages, and one that specifically focuses on the Japanese Canadian families in the Shuswap area.

There is a historical overview mini-essay at the back of the book.

Reviews and Media

December, 2016
An insightful review essay by K. Jane Watt in BC History magazine
Click on the image below; it opens separately as a pdf.



July, 2016
A review in BC Studies, the academic journal, by historian Patricia Roy
On-line here.




January, 2016


A good long interview about the book, and graphic novels generally, by Barry Link

and, below...

A screen shot from the Victoria Nikkei Cultural Society newsletter:



November, 2015




Shelley Fralic's column reprinted in the Nikkei Voice in Toronto



BC Bestseller List for 3 weeks so far...

• A review in La Source, the French community weekly newspaper in Vancouver

• A review in Canadian Jewish News by Norman Ravvin, published on paper in Toronto and Montreal



October, 2015



or read it online here.
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From Norman Ravvin, writer (of The Joyful Child, Lola by Night, Hidden Canada: An Intimate Travelogue, and Sex, Skyscrapers, and Standard Yiddish, among other books) and teacher (Professor at Concordia University):

I'm writing to let you know how much I like and admire Toshiko. It's got a limber way with narrative -- moving lightly over quite a sweep of events and young lives and landscape.

You convey the peculiarity and cruelty of the war years for the B.C. Japanese community, and the confusion and stupidity of the mainstream Canadian way of handling things related to the "enemy" at home. The place – rural B.C. and then Vancouver – comes across with great vitality.  I'm most moved by the portrayal of wartime Vancouver flophouse and street life, along with the between-the-cracks way of living in squatters' shacks, picking up odd jobs.

The whole thing seems surreal, but you lay it down concretely.  Like your other work, the things Vancouver used to be come into view, and I'm sad for not having experienced them myself.  

Romeo and Juliet float nicely through it all.

I'm glad I have it to show people and I'll let you know when Shelley teaches it at McGill. I would think it would have a very clear impact on young Canadians who will know little to nothing about what you have to tell.

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From Chris Pearson, Art History Faculty, Capilano University: "I really found the narrative engaging and believable, and the locations so vivid. The scenes in old Vancouver were marvelous, like travelling back in time. What a lot of research this must have entailed! I really liked the way you show the unexpectedly complex interplay between all the different ethnic groups in the province, and the varied and interesting permutations this could entail. The ‘young love’ theme (definitely sexy!) was a brilliant way of bringing readers of all backgrounds right into the emotional heart of the narrative, something we can all relate to. One value of a book of this kind is to make you feel more 'at home' in the place you grew up in, I think. Vancouver and BC seem to be all about the transitory and the expedient these days, and to have a bit of historical grounding—even as the actual built environment of that period vanishes before our eyes—is somehow reassuring."

September, 2015

August 11, 2015

From Caroline Adderson, author of novels, short stories, and children's books, as well as host of the Vancouver Vanishes page on Facebook:
"Toshiko was a delight. I loved the Romeo and Juliet through-line and how Toshiko and Cowboy played out that story in a way that is so specific to a time and place: BC during the internment. The endnotes and illustrations added so many interesting layers. Vanier Park an army base? Who knew? (Well, you did, obviously!) My favourite frame is the one where you give the cow a voice. Thanks so much for this wonderful book."

August 7, 2015

A review from Michael Abe, project manager of Landscapes of Injustice, University of Victoria: "Congratulations on such a comprehensive and engaging story. The characters and illustrations were compelling. It was apparent that there was a great deal of research and thought put into the story, I am grateful for the historical accuracy. I also learned much about the wartime environment in both the city and the rural areas, both JC and non-JC and although you said the story is fictional, it was written so well that one could believe it to have happened. Like Shakespeare, some of the aside comments were very entertaining. "


July 18, 2015




July 28, 2015


(My French is not good enough to survive a rapid-fire Radio Canada interview!)

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Artwork & text © Michael Kluckner, 2015